Target Earth fulfils every Voivodian parameter and more.
Past masterpieces which still nourish the underground roots of true metal (from
technical to progressive, from post to avant-garde) are joined by an album that
writes a brilliant, fresh page for the Canadians. Voivod are back to being
Voivod, and that is, after a career spanning 30 years full of stratospheric
moments, tragedies and inevitable shaky periods: something to celebrate from
the bottom of our hearts.
Not even remotely winking at a friendlier sound, Target
Earth evolves at every listen; in fact it does not stop growing… The immediate
feeling is that of an incredible energy and synergy amongst the legendary band
members. Away, Snake and Blacky are back together as one, and the magic is
there both on a personal and creative level, and it is mindblowingly intense. Dan
Mongrain, with his great guitar skills and contagious positive aura, fits in
like a glove: the fans love him to bits, as if it was meant to be. He is not a
stand in for Piggy: Dan possesses the Voivod spirit, musically AND spiritually,
and that is clear for all to see, not just hear. This means that Piggy, the man
whose contribution towards making this band what it is (one of THE most
important in the history of metal) was incommensurable, is smiling from
whichever dimension he is watching. And Target Earth could not be a better,
bigger tribute to the unforgotten guitarist. Because…
…Target Earth is not just a masterpiece but an utterly
sincere album, a work full of joy, hope and love. Voivodian as hell, but in an
expansive, forward-looking way, which means that the few stumbling blocks that
appeared after the release of Nothingface (the album that “almost” made them
huge) have been overcome. Patiently, painfully for sure, unfalteringly and with
humility, the key of it all, Voivod have worked it all out. All too often old
greats keep coming back with meaningless albums pathetically pushed by big
labels looking for big sales, headlining sterile tours and festivals magnified
by the whores of journalism who want a part of the cake (being seen where “it
counts”, percentages of advertisement fees and so on). Well Voivod are just on
a different planet. Not because they do not care about selling records or
embarking on extensive tours, but because they will only achieve that without
selling their souls. Integrity and humility can survive inside the music
industry as well as outside the bolted gates of intransigent elitism when
sharing an important message and empathy with the fans are the ultimate goals. Target
Earth transcends the practicalities of a “big” release because it is a triumph
of such philosophy. Punk’s not dead.
Thirty years dedicated to metal to get to the point where
your 13th album not only does sound stunning, but incredibly vital, fresh,
captivating. Wow, what an achievement… Life’s karmic wheel has been spinning: two
consecutive apparitions at Roadburn, another rare, passion-driven microcosm
where Voivod fit in like a glove, seem to have put good things in motion, and everything
just feels right. Target Earth highlights above all how the collective effort amongst
life-long friends/talented and creative artists becomes key in the shaping of a
cohesive piece of work. To step into the Voivod mother ship means that
individuality becomes an essential, perfectly attuned part of a whole, like the
different organs of the body. This album exudes brilliance, but it is never
over the top. This album is swollen with individual creativity but it feels
like a great ocean. Technical skills are not “on show”, but simply exquisitely
integrated within the bigger picture. Dan “Chewy” Mongrain mixes acoustic,
exotic touches with unruly, twisted moments that are a joy to the ear, just
like the trademark - yet incredibly fresh - jagged outbursts and the proggy
treats; Snake’s vocals are in grand form, going from vintage all-out aggression
to Jazz Coleman-like dark evocativeness, to mesmerizing softer parts; Blacky’s
bass is pounding, wild, the propulsive ass-kicking engine that pulls everything
by the hair – just in case the raw punk energy was ever in danger to be taken
over by Rush-like virtuosity; and last but not least Away, the long-standing drummer
at the heart of Voivod because of his conceptual art, ethos and message… Away
is the shaman who gathers each and everyone’s soul by channeling the rhythm of the
cosmos within and beyond us. Effortlessly, the shy, lovable man “dances” on his
drum kit like an entranced Shiva beaming joyfully. His tribal, syncopated
rhythms display a degree of difficulty which is made all the more amazing by an
unparalleled natural skill in keeping the groove flowing naturally. So yes, at
this point in time, the Voivod entity is blessed with an exceptional
combination of rejuvenated synergies which work like a dream.
Target Earth is still growing on me after weeks of
enthusiastic listens. I could not mention a favorite track either because in each
and every one of them amazing moments come out of nowhere to blow my mind… What
more could one ask from their favorite band? Let me tell you, Voivod are truly
special for me: since the beginning I have felt towards them a pure,
instinctive kind of love and I kept that precious feeling in a safe place for a
long, long time. This irrational yet important sentiment is far from uncommon:
some bands do have devoted, even crazy, fans but trust me, a Voivod fan is
truly from another planet! Hails to all Voivodians around the globe, and
possibly beyond!!!
That was an amazing read Alex, you are really an example for me when it comes to reviewing! Thank you!
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